Janusz Kamiński, Wally Pfister, ASC and Phedon Papamichael: Post Production
The technological mysteries of postproduction are untangled in this conversation, as three top cinematographers reveal the thought processes behind their decisions regarding digital intermediate, digital cameras, and the human relationships that go along with these changing tools. Deftly managing the post process is one key to maintaining control over the image in a rapidly shifting technical environment.
0:00 – Three approaches to the digital intermediate
0:43 – How the DI does – and does not – affect on-set work. Sticking with the concept
4:32 – Working with post professionals and DITs
5:45 – Dealing with divided loyalties in post
6:30 – Janusz Kaminski on why he still makes a print first; “Starting with some that is just OK will never result in something great.”
7:50 – Controlling contrast and color
8:58 – The discipline of film
11:12 – Guarding against the tendency to overmanipulate
14:04 – Photochemical film vs 4K DI
14:55 – Maintaining control/intent through your relationship with the director
17:20 – When moving on to another project jeopardizes your work
18:35 – The quality of projection and the impact of digital projection